Zero Mile & AEG Present
Wheels of Soul 2019

Tedeschi Trucks Band: Wheels of Soul 2019

The Fox Theatre

Saturday, August 3
6:30 doors / 7:30 show
All Ages
  • Price$29 - $150
Tickets

Tedeschi Trucks Band

Go back to December 31, 2008 when guitarist Derek Trucks and his wife, singer/guitarist Susan Tedeschi, were preparing to ring in the New Year. Married since 1999, these two soulmates, equally steeped in the musical roots of blues, jazz, and gospel, had finally decided the time was right to set aside their successful solo careers and commit to a new band melding their vision and talent. It wasn’t the first time they had collaborated; they had shared a stage countless times and traded album guest appearances, all while starting a family together. But on that night, hitting the stage together with members of the Derek Trucks Band and a guest horn section they heard the future. wo years later, the couple debuted Tedeschi Trucks Band. The nation’s economy was heading into recession. The popular music landscape was filled with technological theatrics and auto-tuned singers. And here were Tedeschi and Trucks along with their (then) 8-member band, loading up two tour buses and hitting the road with a sound that defied conventional genre boundaries or traditional labels; a gypsy caravan on the rock-and-roll highway. To call it ambitious was an understatement. In pursuit of their ideal sound driven by world class musicianship, Tedeschi and Trucks put together a musical collaborative like no other, flying in the face of any practical or economic considerations. There have been evolutionary changes to the band along the way, but the freight-train force of veteran drummers J.J. Johnson and Tyler Greenwell were there from the start, along with two brilliant Trucks Band veterans to amplify the rhythm section: Kofi Burbridge with his prodigious talent on keys and flute, and Mike Mattison, with his dynamic vocals and songwriting skills. A 3-piece horn section brought on for studio work proved indispensable to the group’s sound and became a permanent addition – now composed of Kebbi Williams’ intergalactic saxophone, Ephraim Owens on trumpet and Elizabeth Lea on trombone. Industry-renowned bassist Tim Lefebvre (David Bowie, Elvis Costello, Sting) joined in 2013, and two years later a third incredible voice, Alecia Chakour, was added to the background vocals provided by Mark Rivers and Mattison; each more than capable of delivering a stirring turn as a lead vocalist. On the road for upwards of 200 days a year, the TTB family has grown strong, bonding over backyard BBQs and long bus rides, all the while developing a growing repertoire of original material and paying homage to an extensive canon of influences ranging from Sly & the Family Stone, Miles Davis and George Jones to Joe Cocker, Nina Simone, and even Indian sarod master Ali Akbar Khan. Embracing improvisation over convention, and set lists rarely repeated, the collective is adept at exploring almost any musical territory. The genuine respect within its ranks is evident on stage. Trucks’ masterful guitar skills and Tedeschi’s soaring vocals and bluesy guitar shine but don’t overpower the breadth of talent, happily yielding the spotlight as needed in service of what the song deserves. Trucks and Tedeschi’s uncompromising vision has paid off. Now 12-members strong, and with a catalog of five albums and nearly a decade of steady touring in the U.S. and abroad, Tedeschi Trucks Band carries a distinguished reputation earned from both audiences and critics as one of the premier live bands in the world. Sold-out multi-night runs at venerable venues like the Beacon Theatre, Ryman Auditorium and Red Rocks Amphitheater are a testament to the can’t-miss concert experience fans have come to anticipate. The band’s own “Wheels of Soul” tour has become a sought-after summer experience from promoters across the country, bringing TTB’s unique stew of upbeat rock and soul together on stage with a slew of guests, sit ins, and supporting bands that have included the late Sharon Jones, Los Lobos and most recently The Wood Brothers and Hot Tuna. 2018 will also mark the sixth year for the TTB-curated Sunshine Music Festival, hosted each January in their home state of Florida. TTB’s most recent CD/film release, Live From The Fox Oakland (2017) was nominated for a Grammy and follows a quartet of critically-hailed and commercially successful albums, including the Grammy-winning debut, Revelator (2011) and Let Me Get By (2016), called “one of the great records of the year” by the Associated Press. The film documents the progress the band has made since its inception, while also showcasing its endless potential to bring out the best in each other every night in any musical direction they choose. It’s clear that the leaders have no intention of slowing down now. As Trucks remarked to Mark Maron on his WTF podcast featured in the film, “I haven’t found this band’s ceiling yet.” For Tedeschi Trucks Band, there may not be one.

Blackberry Smoke

Acclaimed American rock band Blackberry Smoke—made up of Charlie Starr (vocals, guitar), Paul Jackson (guitar, vocals), Richard Turner (bass, vocals), Brit Turner (drums) and Brandon Still (keyboards)—has become known for a singular sound indebted to classic rock, blues, country and folk. Since their debut in 2004, the Atlanta-based band has independently released six full-length albums and toured relentlessly, building a strong and loyal community of fans. Of their latest full-length album, Find A Light, NPR Music praises "For nearly two decades, Georgia's Blackberry Smoke has been a purveyor of the new Southern rock movement, creating music on its cutting edge...Find a Light pushes the envelope while providing that famous Blackberry Smoke autonomy, delivered with soulful vocals, haunting harmonies and kick ass songs." The band also recently released a new EP, The Southern Ground Sessions, which was created as an accompaniment to Find A Light and features acoustic versions of five album tracks as well as a rendition of Tom Petty’s “You Got Lucky" featuring Amanda Shires. In addition to their work as musicians, Blackberry Smoke remains committed to charitable work and has raised nearly $200,000 benefiting children’s cancer research. 

Shovels & Rope

Little Seeds, the electrifying New West Records bow by Shovels and Rope, finds the award-winning South Carolina duo of Michael Trent and Cary Ann Hearst exploring fresh dimensions in their sound with a brace of bold, candid, highly personal new songs. The 12-song collection, produced by Trent at the couple’s home studio in Charleston, succeeds 2014’s Swimmin’ Time and 2012’s O’ Be Joyful; the latter title garnered the twosome Americana Music Awards for Song of the Year (for “Birmingham”) and Emerging Artist of the Year. Last year’s Busted Jukebox, Volume 1 was a collaborative collection of covers featuring such top talents as the Milk Carton Kids, Lucius, JD McPherson and Butch Walker. On the new release, Trent and Hearst as ever play all the instruments and penned the material, which range from stomping rockers to delicate acoustic-based numbers. Many of Little Seeds’ finely crafted and reflective new songs – completed in the late summer of 2015 -- are drawn from tumultuous events experienced by the couple over the course of the last two years. “There were two major changes that happened at the same time,” Hearst says. “We found out we were pregnant, and at the same time Michael’s parents had been living with us, because his father is in the early stages of Alzheimer’s. Those two things, having the baby and facing the reality that our parents were aging, made this weird, awesome circle of humanity that really just took us out. I guess we were in the crosshairs of human existence.” Trent continues, “We started putting this record together right after the baby was born. Every spare moment I had I was in the studio doing my best to work around the cries, and Cary would have to sneak up and do her parts when the baby was asleep. It’s a funny thing trying to make a rock n roll record with a sleeping baby in the house.” Hearst adds, “As we were finishing the record and making the final decisions about what to include in it, our good friend Eric was killed here in town. We ended up dedicating the record to his memory. The beginning of ‘This Ride’ is actually Eric’s mother telling the true story of how he had been born in the back of a police car. With her blessing, we added that to frame ‘This Ride.’” “Invisible Man” and “Mourning Song,” were directly inspired by the debilitating illness faced by Trent’s father. Hearst says of the former song, “The disease is preventing him from being able to mentally wrap his mind around it. I wanted to speak for him. I wanted to express what it would be like for a man like him, a capable, funny dude. I wanted to put that in an up-tempo pop song, because it’s always interesting for dark material to be presented that way.” Of “Mourning Song,” Trent says, “I was envisioning what it was going to be like for my mother after he wasn’t around anymore. It’s weird, maybe, to write a song about the death of your father who hasn’t died yet. It seemed like something he would do – write a tune to comfort my mother after he’s gone. The hushed, moving spoken word “BWYR”, a song of unity at a time when some try to divide, is torn from an event close to home: the mass shootings at Charleston’s Emanuel African Methodist Episcopal Church in June 2015. “The night we heard about it, we were in Denver and approaching the end of ‘touring while pregnant’, which was pretty intense,” Trent says. “We flew to Chicago, our show was cancelled – it was rained out – and we were stuck in the hotel, and that’s where it was written. We were talking to our friends and texting, and we wanted to be home so bad, to be with our people. These mass shootings seemed to be happening every weekend, and the thought of bringing a child into the world was overwhelming and scary.” “Buffalo Nickel” takes on the most personal of all subjects: Trent and Hearst’s relationship as a married couple who also collaborate creatively. Only as the song developed did they begin to understand its topic. “We were trying to figure out what the story was about,” Trent says, “and the more we wrote on it, we said, ‘Are we talking about us here? Are we airing some things here?’” Without a beat, Hearst adds with a laugh, “And we were.” Little Seeds also contains songs that deploy Shovels and Rope’s widely admired talents as storytellers: the thrashing “I Know,” a wryly observed description of intra- band backbiting, and “Botched Execution,” a darkly funny tale of a convict on the run in the manner of Southern gothic writer Flannery O’Connor. Inspired by a concise history written by Hearst’s father, “Missionary Ridge” looks back at the decisive 1863 Civil War battle. The album also tips a hat to the group’s Americana forebears. “The Last Hawk” pays homage to Garth Hudson, the master keyboardist of the Band, who Hearst calls “a quiet genius, this weird, wonderful creature who can do anything with music.” Trent recalls, “There was an article in Rolling Stone that was one of the first things you’d ever seen where it was just Garth, explaining things from his take. We read it on an airplane, and I looked over at Cary, and she was crying – it really moved her.” Both Trent and Hearst acknowledge that making Little Seeds took the band into previously unexplored and even unimagined creative terrain. “It was cathartic,” says Trent. “There were some songs we had trouble getting through because it was too emotional for us. That’s not really how we had approached songwriting in the past -- we got really into writing character-based songs on Swimmin’ Time. For Little Seeds, this is what was going on, and it was all consuming, physically and emotionally, and I feel like we couldn’t help but to be very raw and honest.” Hearst says, “At a certain point in your relationship, professional or personal, you think it’s maybe run its course – ‘We can’t possibly write more together than we have in the past. We can’t possibly live closer than we have in the past. We can’t possibly understand each other more.’ But in the last couple of years, that has happened. We have become even more intimate as writing partners, and in life, collaboratively. It showed me that there were new depths to conquer in our creative life and our personal life and our family life. It’s all deeper and wider than I could ever have imagined it. Which is great.”